Valentino set up a unique stage for his show, depicting a public restroom bathed in red. Louis Vuitton took viewers into the bustling, crowded atmosphere of a giant train station in France.
Saint Laurent erected digital walls at the show venue, covered in luxurious brown marble patterns. Chanel "tied" Paris Fashion Week (France) with a giant black bow on the catwalk.
Wang Yibo and international stars "dress up" luxuriously at the Chanel show (Editor: Binh Tan).
Saint Laurent
Through the Fall-Winter 2025 collection, Anthony Vaccarello - creative director of Saint Laurent - focuses on fashion in its purest form.
The collection reaffirms the legacy of minimalism, interpreted through sharp lines, pure structures, and a complete absence of excess and maximalism.
On the catwalk, the models wore structured, broad-shouldered outfits and black, closed-toe high heels.
Some designs are impressive with cylindrical collars, puffed sleeves, combined with accents of ribbon tied at the waist. Wild leopard print shirts are paired with classic pencil skirts. There are also sleek turn-down collar jackets with broad shoulders, creating an attractive rebellious look.
Vaccarello experimented with textured materials: transparent plastic dresses printed with hazy floral patterns. The main highlight was the designs at the end of the collection: round dresses that created the effect of movement with each step (Photo: Saint Laurent).
Chanel
Chanel's Fall-Winter 2025 collection was inspired by the ribbon bow. The French brand built a giant black bow-shaped stage at the Grand Palais, as a way to "tie" the show to the core values of Coco Chanel - the brand's founder.
The design team took every opportunity to transform the image of Coco Chanel's ribbon bow into many different forms: decoration on collars and sleeves, printed patterns on fabric, sequin embroidery, laser cutting (technique to create sophisticated patterns on clothes using lasers), knitting, pinning in hair...
Besides the bow, other details in the "Chanel DNA" - pearls, camellias, tweed - are also honored through many designs (Photo: Chanel).
Louis Vuitton
Louis Vuitton interprets the Fall - Winter 2025 collection as a brilliant journey.
The show took place at L'Étoile du Nord station, the transport hub before the French national railway network was established. The show opened with the roar of a train engine and flashing lights. Models walked out one by one, wearing a variety of looks.
Some models looked like they were back home in comfortable, urban-country-inspired outfits. Others were traveling in wide-brimmed hats, capes, and oversized handbags.
The model wore a luxurious hand-painted dévoré velvet dress, as if she were on the Orient Express - a luxury train service from Europe's golden age.
The model looks like she's going to work in a business suit, wearing a trench coat or a sporty jacket, carrying a sturdy suitcase.
The image of the TGV train staff (Train à Grande Vitesse, high-speed train in France) in jumpsuits and soft ties is indispensable.
Many seemingly ordinary items in the wardrobe are elevated to "main characters" such as large black leather belts, large travel bags, large bracelets, wide-brimmed hats, crystal-encrusted outfits, turn-down collar coats... (Photo: Louis Vuitton).
Valentino
Valentino presents its Fall-Winter 2025 collection under the creative direction of designer Alessandro Michele - one of the most influential names in the fashion industry. Alessandro Michele always knows how to attract attention every time he launches a new collection.
Valentino's show used a giant public toilet as its backdrop, bathed in bright red light.
This collection is called "Le Méta-Théâtre des Intimités" (roughly translated: The Surreal Theatre of Intimacy). Through it, Michele wants to explore the boundary between public and private, and at the same time ask the question: does such a boundary really exist?
Alessandro Michele made this point clear by presenting even the most intimate moments as a form of performance. The models wore designs that mixed dresses, tops, lingerie, and sheer lace.
True to Alessandro Michele's personal aesthetic, maximalist details were emphasized in the collection: from elaborately embellished sleeves, exaggerated peplum details (ruffled fabric, flared at the waist on the outfit) to accessories such as wide-brimmed hats and clutches (Photo: Valentino).
Hermes
The majority of Hermès' Fall-Winter 2025 collection revolves around various shades of black, from charcoal ash, dark gray to night sky, with a few pops of color like lime green, milky beige, creamy white, and light brown.
This is a subtle fashion statement, reflecting the familiar style in the Parisian woman's wardrobe.
The show venue was set amidst a minimalist space with a soft sand runway, providing a backdrop for the sharp cuts and strong structures of the designs.
Outerwear such as turn-down collar coats, collared coats, and trench coats are structured, thick, and warm. Meanwhile, innerwear such as turtleneck sweaters and quilted shorts are created with soft, body-hugging lines.
The collection pays tribute to the black coat - a wardrobe staple, with a wide variety of styles: peacoats, bomber jackets, sleeveless jackets... Almost every type of coat is present, except for the down jacket (Photo: Hermès).
Givenchy
Givenchy presents its Fall/Winter 2025 collection, led by the first designer Sarah Burton. Burton has 26 years of experience working at Alexander McQueen, including 13 years as creative director.
Sarah Burton dug into the Givenchy archives for new ideas. She discovered designs and fabrics from the first collection created by brand founder Hubert de Givenchy in 1952.
Discovering the origins of the brand inspired Sarah Burton to go back to the basics of fashion: Creating new shapes and forms through draping and pattern design.
Making her debut at the famous French brand, Sarah Burton made a strong impression with new, emotional silhouettes: hourglass-shaped jackets, flowing babydoll dresses, puffy sleeves, high shoulders...
The show room was painted white and lit like an operating room, honoring the precision of Sarah Burton’s designs. Guests sat on stacks of envelopes reminiscent of Hubert de Givenchy’s 1952 sketches (Photo: Givenchy).
Dior
Dior's Fall/Winter 2025 collection is filled with memories of fashion history. Creative Director Maria Grazia Chiuri was inspired by the theme of "Transformation" for this collection. She mined the French fashion house's archives, incorporating fashion history in general.
Chiuri brings back many nods from the past, including creating a new version of the legendary J'adore Dior T-shirt.
The collection also features striking ruffled designs, Dalmatian-printed fur coats, and jacquard jackets in long and short lengths.
In the glamorous world of Dior, the Elizabethan collar is alive and well, and the collection also offers clear references to Victorian dress, as well as a revival of medieval style.
The floor-length black lace dress, the see-through dress with intricate floral embroidery, the sturdy bell-shaped short dress combined with lace panels, look like magical works of art (Photo: Dior).
Source: https://archive.vietnam.vn/nha-ve-sinh-cong-cong-san-ga-va-nhung-san-dien-kho-quen-tai-phap/
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