On February 26, the concert film (also known as the music documentary) Anh trai say hi: The villain creates the hero was officially released to the audience. After 4 nights of performance in Ho Chi Minh City and Hanoi, the 5th night has been announced, the heat has helped the film reap great achievements. According to information from the producer, just counting the number of pre-ordered tickets, the film has sold more than 450,000 tickets and has become the top work of this genre in the history of the Vietnamese box office. Anh trai vu ngan cong gai also said that this year there will be a concert film released to the audience, but has not revealed the specific time.
Beautiful images promise to stir emotions in these concert films
However, the audience will not have to wait long to enjoy another concert film, as it is expected that from March 14, Vietnamese concert film: We are Vietnamese by Hoang Thuy Linh will officially be released in theaters. Unlike the two "brother" programs that took advantage of the heat of the concert nights, the owner of the album Hoang chose to release the film relatively far from the time of the concert. Thus, in just a short time, there are up to 3 concert films introduced.
In fact, this is not a new way of doing things, as many years ago there were pioneering artists who did it. Big wins in theaters include Tri am The Movie: Nguoi chu thoi gian (2023) by My Tam or Sky Tour: The Movie (2020) by Son Tung M-TP. These two works quickly earned billions in a short time and then appeared on streaming platforms. Also following this direction (but not in theaters) are Nhung wound thuong lanh (2023) by Ha Anh Tuan or Show cua Den (2021) by Den Vau... With the high frequency as mentioned above, it can be seen that the domestic market is entering an extremely vibrant time, the music ecosystem is expanding not only with singles, albums, MVs, art exhibitions, derivative works... but recently there have also been sold-out concert nights as well as impressive concert films.
Hoang Thuy Linh shared that through the film, she hopes the audience will be able to see Vietnamese Concert again in a complete, perfect and emotional way.
Sharing with Thanh Nien , the representative of the producer of the show Anh trai say hi said: "Concert films are not a strange concept, there have been many similar works released before. However, with Anh trai say hi: The villain creates the hero , we believe that this is not simply a documentary but at the same time a "romantic documentary" or "emotional documentary" - a film containing the most genuine emotions, depicting the journey of the artists from a moving perspective. The great reception of the audience for the film is something we can completely predict, because the number of fans who love the show and 30 anh trai is very large".
Why attractive?
It can be said that the most important factor that creates the success of this genre is that the films have revived the emotions and special moments of the audience with a program or show that they love. As the production unit of Anh trai say hi shared: "The film not only records the eye-catching performances but also helps artists, audiences, and relatives "see themselves again" in moments that they have experienced but may have accidentally missed. We simply do the task of bringing people the feelings they are waiting for - a deep connection between artists and fans".
Say Hi Brother: The Villain Who Creates a Hero Sets New Box Office Record
This was also confirmed by the brothers in the first premiere. HIEUTHUHAI said: "The film is very emotional for me, marking a milestone in the career journey of myself and 29 artists... This result is the sweet fruit after difficult and skeptical days of the brothers. At the concert nights, I felt very proud, today when I went to the theater and saw these films, I must say I am very proud". RHYDER also expressed: "Thanks to this film, I was able to review moments and perspectives that I sometimes missed. I was able to see how myself and all the brothers in the program shone".
To get these special moments, the crew shared with Thanh Nien : "The film was conceived from the beginning when forming the show format, aiming to create a value chain and different appearances according to each suitable genre and type. With a huge amount of content, this posed many challenges for the film crew with 41 cameras operating continuously, recording every moment of the program. Distilling and condensing the most quintessential footage into a film of only 2 hours not only requires meticulous calculation but also ensures the complete transmission of the spirit and emotions of the program."
Another attraction is that these works also record the first-time revelations, the behind-the-scenes scenes that viewers have never seen before. For example, in the upcoming Vietnamese concert film: We are Vietnamese , the difficult period when Hoang Thuy Linh was caught up in controversy during the press conference will be recreated. Meanwhile, in Anh trai say hi , the audience was also surprised when the program responded to biased comments about format plagiarism or "backdrop" records with achievements and awards...
In particular, theaters are also very flexible to provide a comfortable space for audiences to immerse themselves in the film. They can stand up, sing along, and get closer to the screen. Recording impressive moments is also allowed (but must be under 30 seconds). Through this, audiences not only relive but also have the opportunity to connect with people who share the same passion. And as idol culture is gradually changing, concert films also promise to become a new trend.
Source: https://thanhnien.vn/duoc-mua-phim-hoa-nhac-185250305230454465.htm
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