Knowing that theater units are very difficult, especially after the mechanism of merging art units made many professional art units of provinces and cities more difficult.
But when we are loved and trusted by the people and the audience and called artists, the responsibility of those working in art and theater is both an honor and a motivation to contribute.
From the perspective of those who do theater for teenagers and children, we must review whether the aesthetic orientation for children has been given attention or not. Especially through theater arts, we can guide children to understand more about national culture, about history, understand the battles of our ancestors, understand the heroic past of generations in the process of building, defending the country, fighting for national liberation, that is a valuable thing.
In the field of scripts, many weaknesses need to be overcome. Art units currently do not fully understand and are still confused in determining the performance audience; or in other words, we are creating and staging works for young audiences in our own way, with what we have, without looking into the children's thoughts, wishes, and needs.
Besides, the gap between central and local art units in terms of art, operation methods, human resources, financial resources... is also a problem leading to the lack of theatrical works for children and teenagers.
It is important to remember that children and teenagers are not only the future audience of the stage but also the future creators of Vietnamese theatre.
Therefore, we need to clearly identify the target audience, and also determine how to bring art to future audiences. How should artists and actors perform to tell age-appropriate art stories, touching the souls of children in the process of forming their personalities? That is a huge challenge for theater people.
Source: https://daidoanket.vn/ts-nguyen-dang-chuong-pho-chu-tich-hoi-nghe-si-san-khau-viet-nam-thieu-nien-nhi-dong-la-tuong-lai-cua-san-khau-10284020.html
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