Southern amateur music - Journey to preserve heritage: Art preserved by the people

Báo Long AnBáo Long An08/01/2025

Long An is considered the "cradle" of Southern Vietnamese Don ca tai tu (ĐCTT) art because this land has many famous artists; important turning points in the development process of Southern Vietnamese Don ca tai tu are more or less associated with Long An. From the deep historical imprints to the efforts of the State and the People, the Party Committee, the government and the people in the province are continuing to write the story of preserving and developing the traditional art form recognized by UNESCO as an Intangible Cultural Heritage of Humanity.

Lesson 3: Art preserved by the people Southern folk music is an art form formed and spread among the people, passed down through home folk music sessions and meetings of soul mates. The people and the community, with love and passion, have preserved, transmitted and developed this precious cultural heritage. From urban to remote and border areas, Southern folk music clubs still regularly operate as a part of life, an indelible cultural feature of the people of Long An in particular and the South in general. From urban to rural areas Every morning, the house of actor Vo Minh Hoang (Vinh Hung town, Vinh Hung district) is always filled with the sounds of music and singing. People who love Southern folk music gather together to play and sing, exchange skills and share stories of everyday life. There is no distinction of age, occupation or status, all blend into the cozy artistic space.

The Southern Amateur Music Club of Vinh Hung district meets regularly every morning at the house of amateur musician Minh Hoang (Photo taken in September 2023)

Actor Minh Hoang said that the club started operating in the 1990s, and had many ups and downs, and stopped operating, but then the people who love Southern ĐCTT "found each other". They all met in their love for the traditional art. Club members also actively participated in competitions and exchanges of Southern ĐCTT organized by the district and the province, both to gain experience and to contribute to building the movement. Mr. Minh Hoang said: "The club has just had 1 new member who is over 30 years old. Compared to the average age of Southern ĐCTT players here, he is the youngest. I am very happy that young people are still interested in and love the traditional art passed down by their ancestors". As one of the localities with a strong development of the Southern ĐCTT movement, Tan An City has a Southern ĐCTT Club that has been operating for nearly 20 years. Every morning, club members meet at the corner of a coffee shop in Ward 1 to hone their playing and singing skills. Every Thursday evening, the Club organizes an open meeting where club members and those who love Southern ĐCTT interact, play and sing. The "big brother" who is mainly responsible for maintaining the activities of the Southern ĐCTT Club in Tan An City is folk artist Tran Duc Nhan. As the Club's Chairman, he is responsible for teaching new members how to play and sing, as well as mobilizing and balancing funds to maintain the Club's activities over the years. Every year, he teaches about 10-12 students, many of whom become the core force of the Club, participating and achieving results in competitions and festivals of Southern ĐCTT organized by the province or Tan An City.

Every Thursday evening, the Tan An City Southern Amateur Music Club organizes an open meeting where club members and lovers of Southern Amateur Music can exchange, play, and sing.

The Southern ĐCTT is a unique art form that has been passed down, preserved and developed among the people for hundreds of years. Southern ĐCTT players do not need to graduate from school, they learn from each other through the method of passing on the profession. Anyone can play Southern ĐCTT and "once you are "addicted" to it, you cannot give it up!". Talented player Do Van Diem (Ward 3, Kien Tuong town) said that he started playing Southern ĐCTT when he was young, about 60 years ago. Although he has experienced many ups and downs in life, he has not given up Southern ĐCTT. Every day, when he finishes work or when he is sad or happy, he often takes out his instrument to play solo as a way to relax and express his feelings. Mr. Diem is currently one of the oldest and core members of the Southern ĐCTT Club of Kien Tuong town. Currently, the whole province has more than 300 teams, groups, and Southern ĐCTT Clubs in hamlets, communes, wards, and towns; 15 Southern ĐCTT Clubs are under the Cultural Information and Broadcasting Centers of districts, towns and cities, and 1 club is under the Provincial Cultural and Art Center. Club members include many different groups and classes such as retired officials, workers, civil servants, businessmen, farmers, etc. They teach each other how to play, sing and their passion for the traditional art form. No need for a bright stage, no need for a brilliant halo, Southern ĐCTT players only need passion, a small, rustic, intimate corner, sitting together playing, singing and from there preserving and developing the art form recognized as an Intangible Cultural Heritage of Humanity .
Playing ĐCTT is to satisfy the need for creativity and enjoyment of art for the players themselves and the music lovers. It is this "carefree" play that creates the peak, sublime improvisations and that is also the unique feature of ĐCTT art in the South". Folklore researcher Vo Truong Ky Since I learned about the Club, I have had another joy in life. Being able to put my heart into the music and lyrics, I feel happy and comfortable. The pressure in life is also relieved thanks to that so that I can live happily and healthily". Ms. Truong Thi Kieu Loan , member of the Southern Amateur Music Club, Tan An City
Concerns remain In modern life, the "living space" of Southern ĐCTT is gradually shrinking because learning, practicing and feeling this art form is somewhat more difficult than other contemporary genres. The main form of preservation of Southern ĐCTT is currently through vocational training classes and ĐCTT training. However, most of these activities are spontaneous, without long-term orientation and very limited in funding. The emergence of many new forms of entertainment attracting a segment of young people makes finding the next generation of Southern ĐCTT more difficult. According to statistics stated in the Project to Protect and Develop Southern ĐCTT Art in Long An Province, Phase 1 (2024-2026) and vision to 2030, the number of young people participating in vocational training classes in Southern ĐCTT is still quite modest (30-37%). This is an issue that needs attention and practical solutions so that the Southern folk music can continue to be passed on to future generations. The Southern folk music is not only an intangible cultural heritage but also the "voice" and soul of the people of the South. The enduring vitality of the Southern folk music is nurtured by the community itself, by passionate and dedicated people. In order for the flame of the Southern folk music to burn brightly, the whole society needs to join hands to awaken the love of traditional art in the younger generation so that this heritage can continue to be passed on and developed./. Source: https://baolongan.vn/don-ca-tai-tu-nam-bo-hanh-trinh-giu-gin-di-san-nghe-thuat-do-dan-gin-giu-bai-3--a188468.html

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