Each work has its own unique expression and nuance, created by artisans using only rudimentary tools such as axes, chisels, machetes... 
Tay Nguyen wooden statues have their own uniqueness because they do not follow any pattern, proportion or standard in sculpture. It depends on the talent, dexterity of the hands and the rich imagination of the artisan. 
They just looked at the log, held a piece of charcoal and drew a few lines along the curves and straightness of the log to determine the shape of the statue. 
With soaring sublimation, after just a few strong and decisive axe and machete strokes, the statue gradually appeared. 
The Central Highlanders divide wooden statues into two main groups: tomb statues and decorative statues. The tomb statue group always adheres to strict village regulations. 
Wood from the forest is brought directly into the cemetery area, and is not allowed to be transported through the village. The sculptor only brings his tools to the cemetery and carves on the spot. 
The talented craftsmen of the village will help the family carve statues to prepare for the grave-leaving ceremony (Po Thi). The logs of various shapes are skillfully carved by the craftsmen into rustic statues such as a person sitting with his knees drawn up, a woman carrying a child, a person pounding rice, a person smoking, a young man playing drums... 
All the vivid statues reflect the life and activities of the indigenous people. Moreover, it shows the family's lingering feelings and farewell to the deceased. 
The group of decorative wooden statues is also very rich, when simulating household items such as water gourds, bronze pots or pets such as peacocks, owls, dogs... The motif of fern shoots is a popular decorative pattern in communal houses.
Heritage Magazine
Source: https://www.facebook.com/photo/?fbid=776158561291969&set=pcb.776158641291961
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